The first and most important point to make about her is that within the time span of the novel she is unable to give an account of herself.
Bertha mason madwoman in the attic.
Gilbert and gubar draw their title from charlotte brontë s jane eyre in which rochester s wife is kept secretly locked in an attic apartment by her husband.
Bronte profiles bertha as the quintessential madwoman which coincidentally equals the 21st century s independent woman.
Rhys s novel re imagines brontë s devilish madwoman in the attic.
Bertha s family heritage is complex and puts her in a difficult position.
The woman writer and the nineteenth century literary imagination is a 1979 book by sandra gilbert and susan gubar in which they examine victorian literature from a feminist perspective.
Author charlotte bronte uses the latter archetype in her novel jane eyre 1847 through character bertha mason.
She s half creole and half english raised in jamaica among the british aristocrat half of her family and already not exactly a part of one world or the other.
The woman writer and the nineteenth century literary imagination in the 700 page text gilbert and gubar use the figure of bertha mason as the so called madwoman in the attic to make an argument about perceptions toward female literary characters during the time period.
The madwoman in the attic the most well known and problematic character in jane eyre is rochester s first wife who is almost always referred to by her maiden name of bertha mason.
Eventually the madwoman bertha mason commits suicide and jane marries mr rochester.
Is she an abused wife or just the madwoman in the attic.
Bertha serves as jane s double juxtaposing the feminist character to a character constrained by domesticity.
The madwoman in the attic.
Carol atherton explores the character of bertha mason in jane eyre through ideas of the other charlotte brontë s narrative doubling and 19th century attitudes towards madness and ethnicity.
Her life turns upside down when she discovers right before her wedding that her lover has an ex wife a madwoman hidden in the attic and flees narrowly escaping from committing to a sinful relationship.
In reality society has always mimicked bronte s idea of the madwoman in the attic by forcing women into submissive roles.
In 1979 sandra gilbert and susan gubar made a breakthrough in feminist criticism with their work the madwoman in the attic.
In this chaotic time of our changing political world i wondered where that madwoman in the attic in jane eyre bertha mason fit into all of this.
Yes she comes from the 1800s and at first glance may seem completely incomprehensible in her actions but i believe her portrayal in jane eyre can be a lesson to us all in dealing with the modern day issue of mental illness.
